Kayfabe is the portrayal of staged elements within professional wrestling (such as characters, rivalries, and storylines) as legitimate or real. Although it remains primarily a wrestling term, it has evolved into a code word for maintaining the pretense of "reality" in front of an audience.
Kayfabe is often described as the suspension of disbelief essential to creating and maintaining the non-wrestling aspects of the industry, similar to other fictional entertainment; a wrestler breaking kayfabe is analogous to an actor breaking character. Since wrestling is performed in front of a live audience whose interaction with the show itself is crucial to its success, kayfabe can be compared to the fourth wall in acting, as little to no conventional fourth wall exists in wrestling to begin with.
Kayfabe was fiercely maintained for decades with the intent to deceive fans, and the lack of a conventional fourth wall often led to wrestlers being expected to maintain their characters even when living their everyday lives. With the advent of the Internet and the sports entertainment movement, the wrestling industry has become less concerned with protecting its secrets and typically maintains kayfabe only during live events and the filming of television shows. Kayfabe is even broken during shows on occasion, usually when paying tribute to deceased and retired wrestlers or when a serious injury genuinely occurs during a match.
The term kayfabe was often used as a warning to other wrestlers that someone who was not "in the know" was in the vicinity. This could include wrestlers' family members who had not been clued into the scripted nature of professional wrestling. An example of kayfabe being kept even from family members was illustrated in an article describing how in the 1970s, the wife of James Harris (known under the ring name Kamala) was celebrating that her husband had just won a $5,000 prize () as he won a battle royal, not realizing that the prize money was simply a storyline or kayfabe.
The term kayfabe itself can be used in a variety of contexts, as an adjective, for instance, when referring to a "kayfabe interview", where the person being interviewed remains "in character", or when describing someone as a "kayfabe girlfriend", implying that she is playing a role, but is not actually romantically involved with that particular person. A person can also be said to be "kayfabing" someone, by presenting storylines and rivalries as real.
According to the Merriam-Webster Dictionary kayfabe could also be carny-speak for "be fake" which is supported by Chael Sonnen, or the phrase could be the Latin cavēre for "to keep cave" which is slang for "to keep care" or "beware" and also the origin for the French term qui vive to be vigilant before battle. The phrase "keep cavey" was also used by Jews in East London between World War I and World War II which could have been corrupted to the current form by US promoters and wrestlers at that time.
Although the scripted nature of professional wrestling was an open secret, it was not generally acknowledged by people in the business. Often wrestlers and promoters would make sure that on-screen rivals were not seen eating or traveling together between shows and so on. There were a few occasional mistakes at the time, such as an incident in 1987 in which police arrested The Iron Sheik and Hacksaw Jim Duggan, supposed rivals in an upcoming match at Madison Square Garden, together in a car drinking and carrying cocaine. The first public acknowledgment by a major insider of the staged nature of professional wrestling came in 1989 when WWE owner Vince McMahon testified before the New Jersey State Senate that wrestling was not a competitive sport. The admission on McMahon's part was to avoid interference from state athletic commissions and to avoid paying the taxation some states placed on income from athletic events held in that state, as well as to avoid the need to meet the requirement of having to employ medical professionals standing by, as was generally mandatory for legitimate contact sports involving substantial possibility of injury. The era of professional wrestling since then has been described by Abraham Josephine Riesman as "neokayfabe", in which storylines can become real life and vice versa, thus blurring the distinction between fact and fiction and giving the audience complicity in creating the spectacle.
Faces, short for "babyfaces", are hero-type characters whose personalities are crafted to elicit the support of the audience through traits such as humility, patriotism, a hard-working nature, determination, and reciprocal love of the crowd. Faces usually win their matches on the basis of their technical skills and are sometimes portrayed as underdogs to enhance the story.
Heels are villainous or characters, whose personalities are crafted to elicit a negative response from the audience. They often embrace traditionally negative traits such as narcissism, egomania, unprompted rage, Sadomasochism, and general bitterness. Though not as prevalent today, xenophobic ethnic and racial stereotypes, in particular, those inspired by the Axis powers of World War II and Communist countries during the Cold War era, were commonly used in North American wrestling as heel-defining traits. Another angle of a heel could be approached from a position of authority; examples include Big Boss Man, a corrections officer; Mike Rotunda as Irwin R. Schyster, a federal tax collector; Jacques Rougeau wearing RCMP-inspired dress as The Mountie; and Glenn Jacobs (who would later become famous as Kane) as Isaac Yankem, a dentist. Heels can also be other characters held in low esteem by the public such as a Repossession (a role played by Barry Darsow as Repo Man). Heels typically inspire Booing from the audience and often employ underhanded tactics, such as cheating and exploiting technicalities in their fighting strategies, or using overly aggressive styles to cause (the perception of) excess pain or injury to their opponents.
A wrestler may change from face to heel (or vice versa) in an event known as a turn, or gradually transition from one to the other over the course of a long storyline. Wrestlers like André the Giant, Roddy Piper, Hulk Hogan, and "Macho Man" Randy Savage could work across the entire spectrum and often gain new fans as a result of each "turn".
Matches are usually organized between a heel and a face, but the distinction between the two types may be blurred as a given character's storyline reaches a peak or becomes more complicated. In recent years, several wrestlers became characters that were neither faces nor heels, but somewhere in between—or alternating between both—earning them the term "tweener", reflecting the rise in popular culture of the concept of the antihero; such characters often display the underhand tactics and aggression of a traditional heel, but do so in ways sympathetic to the audience, or within the confines of some internal code e.g. only fighting obvious heel characters, criticizing authority figures. Particularly successful tweeners can find over time that they are enthusiastically adopted as "faces" by the audience without changing their tweener or antihero characterization e.g. Stone Cold Steve Austin and Shawn Michaels.
Despite the wrestlers' character settings, the crowd may not react accordingly. This may be due to booking issues or a particular crowd's tendency to react positively to heels, and negatively (or at least in an indifferent manner) to faces. A strong audience reaction against the original push of a character can occasionally lead to booking a "turn" where the character begins to act in line with the audience's reaction; this can help reset a character with an audience, as occurred when the audience widely rejected a traditional "face" character, Rocky Maivia, who transitioned the character with huge success to a "heel" as Dwayne Johnson
The divide can also be separated by fan demographics: where older male fans may tend to cheer for heels and boo the faces, kids and female fans may cheer for faces and boo the heels, as it happened with wrestlers like John Cena and Roman Reigns.
It has long been claimed that kayfabe has been used in American politics, especially in election campaigns, Congress, and the White House. In interviews as Governor of Minnesota, former wrestler Jesse Ventura often likened Washington to wrestling when he said that politicians "pretend to hate each other in public, then go out to dinner together". In 2023, Abraham Josephine Riesman's book Ringmaster: Vince McMahon and the Unmaking of America argued that strategies of the Republican party closest to Donald Trump can be explained by kayfabe.
An example of kayfabe being broken outside of professional wrestling was in 2004, during the I Love Bees alternative reality game used to promote Halo 2, when one of the calltakers who voiced the AI that had hacked the website in the game's storyline broke character to tell a caller to run to safety since he was in the middle of Hurricane Ivan.
In response to a request for suggestions of the single scientific concept with the greatest potential to enhance human understanding, Eric Weinstein proposed the system of kayfabe:
Kayfabe concepts have also been incorporated into competition TV series in which contestants interact with paid actors who remain in character throughout. In the case of the late-2000s The Joe Schmo Show, the basic premise was the contestants were unaware they were surrounded by actors (with the actors intentionally breaking kayfabe at the conclusion and, sometimes, unintentionally during production.During taping of the second season, accidental kayfabe breaks by cast members led one contestant to correctly deduce the show was fake; she subsequently became a cast member and maintained kayfabe for the still-unaware second contestant.). A mystery-themed competition series from 2001, Murder in Small Town X saw contestants roaming around a real-life town in Maine as part of an ongoing storyline, interacting with actors who maintained kayfabe throughout.
Writing for Wired, Cecilia D'Anastasio describes VTuber as "digital kayfabe". Brennan Williams, who wrestled under WWE as Mace at the time of the interview, and who also streams as the VTuber JiBo, opined that wrestling personas and VTuber avatars are "literally the same thing".
The fictional conglomerate Vought International from the Amazon Prime TV series The Boys appears on several social media platforms, posting in-universe content as newscasters from the show. Like the show, the accounts parody current political and cultural events, such as U.S. President Donald Trump's McDonald's visit in Pennsylvania, the Spotify viral marketing campaign Spotify Wrapped and the Super Bowl. Many comments on Vought International posts are from fans of the show participating in kayfabe, posting about the main characters as if they themselves are civilians in the show.
Etymology
History
Faces and heels
Outside professional wrestling
Crowd as pseudocharacters
See also
Notes
Further reading
External links
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